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所有音乐练习的圣礼| 如何加快演奏

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48 comments

  1. hey dude, your email thing doesn't work, it just gets stuck loading once I've entered my name and email address, nothing goes through or gets received – 'Where should I send you sheet music?' – Your list pop up box

  3. I know this is a very minor waypoint on a very long journey, but I just sat down and played the chords in part A of Misty and within 15 minutes I had it down. This is because of a long weekend of drilling, drilling, drilling on 3, 5, and 7 in all 12 keys, and now my fingers just know where to go. Woohoo!

  4. My exercise right now is to walk down the circle of 5ths and at each key, play a 7th shell in the left hand, and the 3 and 5 in the right. For maj7, min7, 7 and min7b5 chords. The goal is to be able to do this without looking at the keyboard at all. Still much, much else after that, but just having this down will mean I can start to play songs by ear, and/or play a basic version of a song straight off a lead sheet. Six months ago I wouldn't have thought this possible. Julian, you are so right about seeing those fingers wiggle and hesitate. The goal is to make that go away.

  6. Your technique of staying in one key, the C minor, is quite similar to the Kodaly method of using the moveable "Do." The method uses "Do" as the tonic regardless of the key being used. I enjoy watching your videos and I have just started watching them today. I am sure I will learn a lot from you.

  8. Julian, your video shows a banner that says “the faster you can hear intervals, the faster you can play by ear“… I get that.. You also say that the stepping stone method is a method you use to this day… But surely you can’t play intervals quickly while you’re taking two steps to get there? I’ve done your ear training Course, and i’m well into fixed key learning at the moment, (about six months in) but I really dont get the stepping stone method.

  10. It's easier for me to "assign" certain emotions to intervals – minor 3rd is spooky/sad, major 3rd is happy/meloncholy, perfect 5th is triumphant, minor 7th is sassy, etc. Of course, these emotional descriptions only apply to the raw interval out of context, since a major 3rd "feels" quite different as the upper 2/3 of a MINOR triad.

  11. My high school chorus teacher taught us two things: Intervals, and one song in 4 part harmony. Nothing else – it's all right there for the rest of your life. The interval is the tape measure by which everything else in music is constructed.

  13. Very cool Julian! Thanks so much. So much is difficult for me at 70 years old but this is a “trick” that will really help me. Your mental arithmetic is exactly how my mind works. You just put all the steps together for me.

  15. The "rule of nine" helped me in my earlier days, but I soon began using an amateurish version of what Julian's mapped out here. The rule of nine is: any interval plus its inversion equals 9 and its quality will reverse. So a minor 2 inverted becomes a major 7
    (2 + 7 = 9). A major 3rd inverted becomes a minor 6th. Perfect intervals remain perfect. A perfect unison becomes a
    perfect octave  (1 + 8 = 9) and perfect fourth inverted becomes perfect fifth (4 + 5 = 9). Tritones remain tritones of course.

  19. I'm confused. Your pdf shows this video should be Interval Arithmetic Value. I don't play piano I'm not interested in speed. I'm interested in Arithmetiic value. Why do you have a link to this video?

  20. Probably helps to be a guitarist – if you know the notes on a fretboard and you know what a 4th looks like you already know the notes. E.g. a fourth up from a G is just the same fret on the next string (C).

  22. Dear Sir! You are truly a genious of a music educator!!!! I love your remarkable ability of making complicated concepts truly simple and easy to put into practice!!!Bless you sir for your clear and concise explanations so that a novice like myself can truly advance in my playing.

  28. Your tips might be useful as an interval eartraining exercise (without a tonality) but i dont see how it speeds up your playing since your recognition of one interval is dependent of the recognition of another interval, and then doing some minor calculating. That actually seems rather slow compared to just learning the looks and sound of all intervals in all 12 keys. It might help you in the beginning but in the end this kind of thinking actually slows you down.

  30. Thanks. Wonderful! Just need to do this brain-work while doing daily duties or going to work (you did it on your way to school in the train – wonderful idea!). After doing so, would you recommend returning to the piano and playing 2 notes/intervals together in order to memorize their individual colors?

  34. I can sing a d ..one day I sang the notes to minuet in G by Bach.. It sounded like the d on my key board. I had been giving beginner video lessons on the minuet in G and I was blown away. I can recognize any notes as long as I hear a cadence. But just to recognize a D.. that was 1 out of 12. So I thought if I used the whole scale descending; C Bb Ab Gb E D C, I should be able to check my C note. It was extremely close.
    Then I did a C boogie C E G A Bb and that was perfect or super close. I am taking your interval training. Sad to say, I still use the Simpsons for the Gb tritone. Jaws for minor 2.etc. I play ear and usually I can play anything I hear sans complicated pieces and songs like theme song from Fresh
    Prince etc. would be hard for me.
    I am going to do the best I can on these lessons. I will be amazed if I can get my intervals down. I'll keep in touch. I realize everybody will have different experiences. I will guarantee you from my experiences, that it will not be a cakewalk.
    .
    .

  40. I've been using the memorising of fifths to determine my dominant 7 chords since the past two weeks. This whole thing you're doing with it, i love it. It's gonna help me a lot. Thanks for this!

  41. Jesus Christ loves you.Repent and believe in Him.If you don't know Him,seek Him and you will find Him.Its a difficult path,but God will bring you through.Rely on Him.Its and give up sin.God bless and have a great day.Love y'all : )

  42. Music isn't just intervals though. We don't just hear note to note to note. Most music is tonal and the ear will hear notes as they relate to a tonal center. In other words, scale degrees.

  47. Oh Wow! Thank you for this! My brain is slow in making connections. I come to piano (and guitar) from a Brass perspective (Trombone, playing one note on the page at a time), and one of my hangups has been figuring out intervals in my head on the fly. I think this makes it so much easier for me to figure out, than trying to remember yet another mnemonic to try to remember something I am trying to remember.

  48. For the people having trouble learning/remembering their perfect fifths:

    A perfect fifth is always from a white key to a white key (from a natural to a natural) or from a black key to a black key (from a sharp to a sharp, or from a flat to a flat); the only exceptions to this are fifths built on B and Bb (only one letter/exception to remember, really).

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