VFX藝術家打破了奧斯卡最佳視覺效果獎提名有線



Method Studios的創意總監兼高級VFX主管Kevin Baillie在今年的奧斯卡最佳視覺效果提名獎(1917年),《復仇者聯盟:殘局》,《愛爾蘭人》,《獅子王》和《星球大戰:天行者的崛起》中進行了演講。 Baillie於20年前開始了他的職業生涯,當時是18歲的《星球大戰:第一集》前Viz藝術家。從那時起,他就參與了《哈利·波特》,《星際迷航》和《變形金剛》等電影的製作。他是美國電影藝術與科學學院的成員。

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VFX藝術家打破了奧斯卡最佳視覺效果獎提名有線 。

24 comments
  1. I feel like this guy is trying to sell snow to eskimos. So many people are fed up with the overuse of visual effects and he's making it sound like we should all be grateful for it.

  2. I honestly don't like the VFX in "The Irishman" I would rather see something like "Avengers: Endgame" win. In the interviews I saw with Martin Scorsese it really came across to me like he wasn't really aware of the possibilities of this technology. That's why all these "younger" faces look so weird. I would've rather seen them use motion capture, and apply the faces of the actors on to younger stand-ins. When you're younger you're usually also thinner, which all the actors were in previous movies, but when you're older you are fatter. Which all the actors in this movie, even when they were thin were. Only Joe Pesci looks the same, because that's how he always looks. Both Robert De Niro and Al Pacino have gained a little weight compared to their younger years.

  3. Irishman's facial vfx was pretty bad, I can only think this guy said otherwise to not ruffle feathers. That said, the methods used are interesting which gives me more appreciation of them.

  4. Soon, live actors will be completely obsolete. And not long after that, the viewers will be obsolete too. We are privileged to live during the time of the last generations of bio-humans.

  5. What is it with movies like Star Wars, where they think it is necessary to have one on one combat in bizarre places? (8:20) At least one of the Star Trek movies did the same thing. It is just so contrived looking. Maybe I'm just old.

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