VFX艺术家打破了奥斯卡最佳视觉效果奖提名有线



Method Studios的创意总监兼高级VFX主管Kevin Baillie在今年的奥斯卡最佳视觉效果提名奖(1917年),《复仇者联盟:残局》,《爱尔兰人》,《狮子王》和《星球大战:天行者的崛起》中进行了演讲。 Baillie于20年前开始了他的职业生涯,当时是18岁的《星球大战:第一集》前Viz艺术家。从那时起,他就参与了《哈利·波特》,《星际迷航》和《变形金刚》等电影的制作。他是美国电影艺术与科学学院的成员。

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VFX艺术家打破了奥斯卡最佳视觉效果奖提名有线 。

24 comments
  1. I feel like this guy is trying to sell snow to eskimos. So many people are fed up with the overuse of visual effects and he's making it sound like we should all be grateful for it.

  2. I honestly don't like the VFX in "The Irishman" I would rather see something like "Avengers: Endgame" win. In the interviews I saw with Martin Scorsese it really came across to me like he wasn't really aware of the possibilities of this technology. That's why all these "younger" faces look so weird. I would've rather seen them use motion capture, and apply the faces of the actors on to younger stand-ins. When you're younger you're usually also thinner, which all the actors were in previous movies, but when you're older you are fatter. Which all the actors in this movie, even when they were thin were. Only Joe Pesci looks the same, because that's how he always looks. Both Robert De Niro and Al Pacino have gained a little weight compared to their younger years.

  3. Irishman's facial vfx was pretty bad, I can only think this guy said otherwise to not ruffle feathers. That said, the methods used are interesting which gives me more appreciation of them.

  4. Soon, live actors will be completely obsolete. And not long after that, the viewers will be obsolete too. We are privileged to live during the time of the last generations of bio-humans.

  5. What is it with movies like Star Wars, where they think it is necessary to have one on one combat in bizarre places? (8:20) At least one of the Star Trek movies did the same thing. It is just so contrived looking. Maybe I'm just old.

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